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The Picasso Manifesto has now been accumulating for a decade: the trades, the Popbollocks interview, the Doubting Anne Matrix, thousands of daily questions and connections, and now more than 95,000 observations of the project. None of these alone has been the grain that suddenly makes TPM culturally unavoidable. But Sorites suggests that may be the wrong way to look for the change. A threshold can be crossed through accumulation without anyone being able to identify the precise moment it happened.
At what point does one more observer, one more question, one more trade or one more connection become the grain that makes the heap — and will anyone recognise that it was the final grain until they look back?
www.thepicassomanifesto.com
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